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Various

"France and the Netherlands, Part 2"


If size were any real test of beauty, the interior or Notre Dame at
Antwerp ought to be one of the finest in Belgium. Unfortunately, altho
it was begun at a time when the pointed style had reached the full
maturity of perfection, a colder and more unimpressive design than is
here carried out it would be difficult to find. Still, notwithstanding
the long period that elapsed between its commencement and completion,
there is a congruity about the whole building which is eminently
pleasing, and to some extent redeems the defects in its details and
proportions, while the views afforded in various directions by the
triple aisles on either side of the nave are undeniably picturesque.
The high altarpiece, placed on the chord of the apse, is a noble and
sumptuous example of early Renaissance taste and workmanship, but like
the stallwork, its dimensions are such as to diminish the scale of the
choir, the five arches opening to the procession path being completely
obscured by it. Of the numerous creations of Rubens' pencil none
perhaps more thoroughly declares to us his comprehension of religious
decorative art than the "Assumption" which fills the arched
compartment in the lower portion of this altarpiece.


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