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Brooks, Stratton D.

"Composition-Rhetoric"

The knowledge of your helplessness in any
circumstances is so perfect that it begets a sense of irresponsibility,
almost of security; and as you drowse upon the pallet of the sleeping car
and feel yourself hurled forward through the obscurity, you are almost
thankful that you can do nothing, for it is upon this condition only that
you can endure it; and some such condition as this, I suppose, accounts
for many heroic acts in the world. To the fantastic mood which possesses
you equally, sleeping or waking, the stoppages of the train have a weird
character, and Worcester, Springfield, New Haven, and Stamford are rather
points in dreamland than well-known towns of New England. As the train
stops you drowse if you have been waking, and wake if you have been in a
doze; but in any case you are aware of the locomotive hissing and coughing
beyond the station, of flaring gas-jets, of clattering feet of passengers
getting on and off; then of some one, conductor or station master, walking
the whole length of the train; and then you are aware of an insane
satisfaction in renewed flight through the darkness. You think hazily of
the folk in their beds in the town left behind, who stir uneasily at the
sound of your train's departing whistle; and so all is blank vigil or a
blank slumber.
--Howells: _Their Wedding Journey_.

+136. Impression as the Purpose of Description.+--The impression that it
gives may become the central purpose of a description.


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