This kind of poetry is characterized by the intricacy of plot, by
the delineation of noble types of character, by its descriptive effects,
by its elevated language, and by its seriousness of tone. The epic is
considered as the highest effort of man's poetic genius. It is so
difficult to produce an epic that but few literatures contain more than
one. Homer's _Iliad_ and _Odyssey_, Virgil's _Aeneid_, the German
_Nibelungenlied_, the Spanish _Cid_, Dante's _Divine Comedy_, and Milton's
_Paradise Lost_ are important epics found in different literatures.
A _metrical romance_ or lesser epic is a narrative poem, shorter and less
dignified than the epic. Longfellow's _Evangeline_ and Scott's _Marmion_
and _Lady of the Lake_ are examples of this kind of poetry.
_A metrical tale is_ a narrative poem somewhat simpler and shorter than
the metrical romance, but more complex than the ballad. Longfellow's
_Tales of a Wayside Inn_, Tennyson's _Enoch Arden_, and Lowell's _Vision
of Sir Launfal_ are examples of the tale.
_A ballad_ is the shortest and most simple of all narrative poems. It
relates but a single incident and has a very simple structure. In this
kind of poetry the interest centers upon the incident rather than upon any
beauty or elegance of language. Many of the Robin Hood Ballads are well
known. Macaulay's _Lays of Ancient Rome_ and Longfellow's _Wreck of the
Hesperus_ are other examples of the ballad. It may be well to note here
that it is not always possible to draw definite lines between two
different kinds of narrative poetry.
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