7. The correction of one's own theme is the most valuable form of
correction.
II. EXPRESSION OF IDEAS FURNISHED BY IMAGINATION
+13. Relation of Imagination to Experience.+--All ideas are based upon and
spring from experience, and the imagination merely places them in new
combinations. For the purpose of this book, however, it is convenient to
distinguish those themes that relate real events as they actually occurred
from those themes that relate events that did not happen. That body of
writing which we call literature is largely composed of works of an
imaginative character, and for this reason it has sometimes been
carelessly assumed that in order to write one must be possessed of an
excellent imagination. Such an assumption loses sight of the fact that
imaginative writings cover but one small part of the whole field. The
production of literature is the business of a few, while every one has
occasion every day to express ideas. It is evident that by far the greater
part of the ideas we are called upon to express do not require the use of
the imagination, but exercises in writing themes of an imaginative
character are given here because there is pleasure in writing such themes
and because practice in writing them will aid us in stating clearly and
effectively the many ideas arising from our daily experiences.
+14. Advantages and Disadvantages of Imaginative Theme Writing.+--Ideas
furnished by the imagination are no less your own than are those furnished
by experience, and the same freedom in the choice of language prevails.
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