It is true that, as a
nation, we are not artistic, but we might change our character in a
single generation. It has taken less than a single generation to
develop the enormous increase of Art which we now see around us in the
upper classes. Think of such a thing as house decoration and
furniture. We have to extend this development into regions where it is
as yet unfelt, and among a class which have, as yet, shown no
willingness or desire for such extension.
All this has been said by way of apology for the practical scheme
which I venture now to lay before you. You have already heard from Mr.
Leland's own lips what has been for five years his work in
Philadelphia, you have heard how he has brought the small arts into
hundreds of homes, and has given purpose and brightness to hundreds of
lives. I have followed this work of his from the beginning with the
greatest interest. Before he began it, he told me what he was going to
try, and how he meant to try. But I think that, courageous and
self-reliant as he is, he did not and could not, at tho outset,
anticipate such a magnificent success as he has obtained. You have
also heard something of the society called the Cottage Arts
Association, founded by Mrs. Jebb, by which the villagers are taught
some of the minor arts.
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