And it is quite worth while, and much to the present
purpose, to call attention to the chief peculiarity of the Japanese
diaper patterns, which is _interruption_. Repetition there must
necessarily be in these, but symmetry is avoided by an interruption which
is, to the Western eye, at least, perpetually and freshly unexpected. The
place of the interruptions of lines, the variation of the place, and the
avoidance of correspondence, are precisely what makes Japanese design of
this class inimitable. Thus, even in a repeating pattern, you have a
curiously successful effect of impulse. It is as though a separate
intention had been formed by the designer at every angle. Such renewed
consciousness does not make for greatness. Greatness in design has more
peace than is found in the gentle abruptness of Japanese lines, in their
curious brevity. It is scarcely necessary to say that a line, in all
other schools of art, is long or short according to its place and
purpose; but only the Japanese designer so contrives his patterns that
the line is always short; and many repeating designs are entirely
composed of this various and variously-occurring brevity, this prankish
avoidance of the goal.
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