_January_ 1. 1834.
LANDOR'S POETRY.--BEAUTY.--CHRONOLOGICAL ARRANGEMENT OF WORKS.
What is it that Mr. Landor wants, to make him a poet? His powers are
certainly very considerable, but he seems to be totally deficient in that
modifying faculty, which compresses several units into one whole. The truth
is, he does not possess imagination in its highest form,--that of stamping
_il piu nell' uno_. Hence his poems, taken as wholes, are unintelligible;
you have eminences excessively bright, and all the ground around and
between them in darkness. Besides which, he has never learned, with all his
energy, how to write simple and lucid English.
* * * * *
The useful, the agreeable, the beautiful, and the good, are
distinguishable. You are wrong in resolving beauty into expression or
interest; it is quite distinct; indeed it is opposite, although not
contrary. Beauty is an immediate presence, between (_inter_) which and the
beholder _nihil est_. It is always one and tranquil; whereas the
interesting always disturbs and is disturbed. I exceedingly regret the loss
of those essays on beauty, which I wrote in a Bristol newspaper. I would
give much to recover them.
* * * * *
After all you can say, I still think the chronological order the best for
arranging a poet's works.
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