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Coleridge, Samuel Taylor, 1772-1834

"Specimens of the Table Talk of Samuel Taylor Coleridge"

So it is with the rectilinearity or undulatory
motion of light;--I believe both; though philosophy has as yet but
imperfectly ascertained the conditions of their alternate existence, or the
laws by which they are regulated.
* * * * *
Those who deny light to be matter do not, therefore, deny its corporeity.
* * * * *
The principle of the Gothic architecture is infinity made imaginable. It is
no doubt a sublimer effort of genius than the Greek style; but then it
depends much more on execution for its effect. I was more than ever
impressed with the marvellous sublimity and transcendant beauty of King's
College Chapel.[1] It is quite unparalleled.
I think Gerard Douw's "Schoolmaster," in the Fitzwilliam Museum, the finest
thing of the sort I ever saw;--whether you look at it at the common
distance, or examine it with a glass, the wonder is equal. And that
glorious picture of the Venus--so perfectly beautiful and perfectly
innocent--as if beauty and innocence could not be dissociated! The French
thing below is a curious instance of the inherent grossness of the French
taste. Titian's picture is made quite bestial.
[Footnote 1:
Mr. Coleridge visited Cambridge upon the occasion of the scientific meeting
there in June, 1833.


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