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Sabatini, Rafael, 1875-1950

"Scaramouche"

Moliere took those old stories and
retold them in his own language. That is precisely what I am
suggesting that you should do. Your company is a company of
improvisers. You supply the dialogue as you proceed, which is
rather more than Moliere ever attempted. You may, if you prefer it
- though it would seem to me to be yielding to an excess of scruple
- go straight to Boccaccio or Sacchetti. But even then you cannot
be sure that you have reached the sources."
Andre-Louis came off with flying colours after that. You see what
a debater was lost in him; how nimble he was in the art of making
white look black. The company was impressed, and no one more that
M. Binet, who found himself supplied with a crushing argument
against those who in future might tax him with the impudent
plagiarisms which he undoubtedly perpetrated. He retired in the
best order he could from the position he had taken up at the outset.
"So that you think," he said, at the end of a long outburst of
agreement, "you think that our story of 'The Heartless Father'
could be enriched by dipping into 'Monsieur de Pourceaugnac,' to
which I confess upon reflection that it may present certain
superficial resemblances?"
"I do; most certainly I do - always provided that you do so
judiciously.


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