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Sabatini, Rafael, 1875-1950

"Scaramouche"

" Then he
addressed the roof of the barn and its invisible tenant. "Hi! You
there!"
Andre-Louis revealed himself by a further protrusion of his tousled
head.
"Good-morning," said he, pleasantly. Rising now on his knees, his
horizon was suddenly extended to include the broad common beyond
the hedge. He beheld there an enormous and very battered travelling
chaise, a cart piled up with timbers partly visible under the sheet
of oiled canvas that covered them, and a sort of house on wheels
equipped with a tin chimney, from which the smoke was slowly curling.
Three heavy Flemish horses and a couple of donkeys - all of them
hobbled - were contentedly cropping the grass in the neighbourhood
of these vehicles. These, had he perceived them sooner, must have
given him the clue to the queer scene that had been played under
his eyes. Beyond the hedge other figures were moving. Three at
that moment came crowding into the gap - a saucy-faced girl with a
tip-tilted nose, whom he supposed to be Columbine, the soubrette;
a lean, active youngster, who must be the lackey Harlequin;, and
another rather loutish youth who might be a zany or an apothecary.


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