"I suppose one wet
field's as good as another to sleep in, so why worry?"
A little farther on, the battalion met a French Infantry Regiment on
the march. The French regiment's road discipline was rather more lax
than the British, and many tolerantly amused criticisms were passed on
the loose formation, the lack of keeping step, and the straggling lines
of the French. The criticisms, curiously enough, came in a great many
cases from the very men in the Towers' ranks who had often "groused"
most at the silliness of themselves being kept up to the mark in these
matters. The marching Frenchmen were singing--but singing in a fashion
quite novel to the British. Throughout their column there were anything
up to a dozen songs in progress, some as choruses and some as solos,
and the effect was certainly rather weird. The Tower Bridge officers,
knowing their own men's fondness for swinging march songs, expected,
and, to tell truth, half hoped that they would give a display of their
harmonious powers. They did, but hardly in the expected fashion. One
man demanded in a growling bass that the "Home Fires be kept Burning,"
while another bade farewell to Leicester Square in a high falsetto. The
giggling Towers caught the idea instantly, and a confused medley of
hymns, music-hall ditties, and patriotic songs in every key, from the
deepest bellowing bass to the shrillest wailing treble, arose from the
Towers' ranks, mixed with whistles and cat-calls and Corporal
Flannigan's famous imitation of "Life on a Farm.
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